The warmth leaves my fingers,
as if it were laughter.
What is this nothing
into which I empty
my wit daily?
–
The bird in my breast
grows fat on a quilt of stars.
Who dares make a wish
when the twinkle has fallen
from my eye?
–
Let me weep in abject silence,
salt is the sole spice in my repertoire.
If only I could lift the music
from these moonstruck pages
that alone would suffice.
–
How can I claim reason
in this habitual state of shock?
A sigh is the heaviest
of all sentiments,
when I reach the bottom
I promise only to dig.
Ostensibly Numb
Natalie Shau
I need to believe
That there is something
Inside still salvageable
Some overlooked heart fragment
Still red, ripe, and pumping
Some hint of the original
So that without
Too much embellishment
I can say
I am still myself,
At least the parts
Worthy of presentation.
I thought it was okay to die,
My right to step into the war
And come out again
A hero, in a discreet box
Adorned with some flag.
A picture of you perhaps?
(The one who murders
Has the right to confiscate
My body, having emptied
The suit for deployment)
I have thwarted evolution
My component fibers
Coarse as burlap
Settle in the gut
Like a mutiny
Of bewitched caterpillars
They chew the binding
Of all my diaries
That not a letter arrives
In the order of consignment
My self-improvement efforts
Are much too clinical,
They don’t leave much space
For living, only doing
And I’ve done enough
To earn the title of Sisyphus.
A visit to the anesthesiologist
Will keep me ostensibly numb
Numb as a glacier passing
From ship to ship,
An eviscerating tower
Unalterable in its contacts
The less we know
The more encompassing
The excuse
I live to pilfer
If you possess it
Why shouldn’t I?
And if I am you
Than I’ve no reason
To acknowledge my roots
Those obscene snares
Which remind me
Of the refuse
From which I rose
No I’d rather be you
That I can remain pristine
A Goddess, infallible,
Untouchable, reduced to ash
In the eyes of unscrupulous mortals
Yes I’d rather be death
In a human disguise
Interloper
Chimney smoke
And arctic currents
Synthesize obsidian
My days are black
And superficial
Too many veils
Have blinded
My sense
Of responsibility
*
The ego
Is my greatest
Magic trick
An interloper
Who stands outside
Of its manifestations
An impetus whose
Undercurrent swallows
The very surface
On which it stands
*
I am a virtuoso
Of nothing
The ammunition
For a weapon
Centuries before its time
The final sacrifice
In a string
Of incomprehensible scars
*
As you know I’ve had a lot of seizures, today as well. So this poem comes to your curtsey my subconscious. My mind is like a big black oozing void and my hands just blindly type
Greed
We as man,
Pay deference
To insensate machines
And through imitation
We as man become
That which we beseech
*
Atop funereal clouds
We regress
Unable to fathom
The depth
Of our earth
Scarring beneath
Of what use
Is prevention
When I live now
Unscathed?
Such is the attitude
Of a man
Whose comprehension
Of poverty lies only
In the delay
Of a quenchless greed
Wish
My hands
Have become worn
Reverting paper into pith.
My heart woke
With a requiem.,
Silver and spiritless.
Underneath the Bodhi tree
I find neither epiphany
Nor inveiglement.
*
Today is still
And with heavy eyes
I consume in silence
The exhaust
Of countless
Defeated sighs.
In the next inhalation
A star will find, within me,
Some distant ancestor
But for now
I am without whim
*
I’ll save my wishes
For another day
A day of turmoil
A day when the ink
Spills motley and riotous
In the articulation
Of carefully
Arranged winds
Tomorrow I’ll be
Jackson Pollock
Deadlock
I’ve mapped the stars through inversion
The reflection of a deadlocked pool
Superficially favoring a change of course
*
This love accumulating over time
Has grown exponentially more exhausting
I suffer from neither contrition nor objection
Only the unshakeable conviction
That “I” as the subject have died
*
So much of your heart remains uninhabited
Immaculate white rooms with no juxtaposition
We sleep with our backs facing, crepuscular eyes
Seeking truce in a bilateral quarantine
*
I find you in the belly of false stones
Unable to extract a single door or window
From your departure, the fireplace
Winks knowingly from across the room,
There is no heat left in her body,
Only hypotheticals
Fossilize (Audio)
My heart wears an expression of mute terror
The sort of expression that is inherent in all unsuspecting fossils
Your observations pass over me like an avalanche
Every bone-shattering collision helps to soften my rage
Because unlike my morale gravity is infallible
*
“Blood dilutes over time”
My heart is an underfed furnace
When in school they used to shove
Firewood vertically down my throat
Now I sit clucking my splinter free tongue
In search of none negotiable rubbish
*
“Insanity is the display of any emotion
That defies a preexisting ambiance”
Your limp-fisted smile is the height of fashion these days
Like a guitar string that lacks a prerequisite tension
I find your voice cackling in the pursuit of others
When in isolation, I find that your register has risen
One full octave, as if there were a helium leak
In the space directly above your shoulders
*
I wonder if your eyes have any other orientation
Besides open/closed and if given enough time
Will I be able to force a wink out of you
Or at least an honest to goodness frown
*
Barren
Underneath a grim sky
Fluid with specks of dust
And the rapture of a fertile moon
I wonder will it always be thus?
*
My face pale and wane
My eyes dull and lifeless like a sharks
A mouth that speaks of trivial things
With a high timid voice
That understands nothing of words
*
The tender dialect of lovers
Will it ever move past my lips again?
Tiny shards of wisdom
That linger and endow me
With strange enchantments
Will I ever be inspired again?
=
My hands occupy my time with work
Daily I labor
For nothing in particular
Like a barren woman
Who tracks her ovulation
Even knowing she shall never bare any fruit
I am empty like that woman
And just as insatiable
=
Each night I fall into consecrated bliss
Yet even my dreams are ashen and uninspired
Silence gives me hope
With its ominous turnings
That both frighten and consume
*
This poem was Plath inspired and one of the only poems I’ve never edited. Though very old it remains curiously close to my heart. It is one of the only poems I have never hated.